| ign="center"> | | | | And in this shot should also the shaft kept 90 |
| Describe it: Just like giving a full strength Frisbee | | | | degree angle when arms are waist-high when you |
| throw | | | | are giving the downswing. Also is that your hinge |
| Most golfers in pursuit of good golf shots practice | | | | kept in your right hand as long as you possible. |
| the striving for a "one-piece" takeaway. But the | | | | The movement goes like this your left side of |
| most movement involved is that the shoulders | | | | your body start the downswing and right side |
| with arms and hands are balanced together. | | | | gives the hitting. Also when you are giving the |
| Extend the left arm; take club back low and slow. | | | | swing let your right elbow fall straight to right side |
| Allow your body start the backward movement | | | | to keep ball straight. And it is necessary to make |
| with arms and club, just let the body do its job of | | | | a shallow approach to the ball, for shallow, |
| moving. Of the backswing, you should have your | | | | inside-out swings can start downswing with the |
| shoulders coined first, then hips adjusted. About | | | | right body. The right sequence on downswing is |
| the takeaway, when club in hand is halfway back, | | | | shift weight, rotate hips, release hands and arms. |
| the club shaft should have been lined up with | | | | About the fairway shots your hands should be in |
| toes, and your right arm should be a little higher | | | | front of ball at the impact. Whenever you are |
| than your left arm. | | | | giving a shot you should just think about swinging |
| At the action of your backswing, you should have | | | | only the handle of the club to get a smoother |
| your weight kept steady inside of right foot. And | | | | swing motion to get the right shots. Also after |
| you should feeling "eased" at top of backswing to | | | | the thinking period you should also keep height |
| produce the right tempo. At time of backswing, | | | | level and left arm straight throughout swing. |
| your arms should be kept in front of your chest. | | | | Right knee flex should be maintained throughout |
| Another factor is that your left arm should be | | | | swing is also one main factor in shots. By the way |
| kept steady with your chest on downswing. In | | | | your arms and shoulders should also be kept |
| case that your arms not be quick on downswing, | | | | loose throughout your swing. By such a method |
| club will be left over behind, that failure of | | | | extension and speed will be generated properly. In |
| controlling will produce weak pushes or slices. By | | | | order to help square clubface, at the impact you |
| the way arms should also be dropped into | | | | should have left forearm touching with your right |
| downswing gravity naturally. When you are giving | | | | forearm. Another important factor is that the |
| a downswing, your right elbow should also lead | | | | clubhead should be kept moving along with the |
| right arm to impact as well. Another important | | | | target line. And your elbows should be together |
| factor is that in downswing, the club should be | | | | throughout the swing. The spine angle should be |
| pulled rather than pushed along the swing plane. | | | | as set (the forward bend) throughout your swing. |
| You should Start downswing by transferring | | | | Divots should point toward target. Head and body |
| weight to left foot and moving your body toward | | | | should be kept behind ball throughout swing. Hit |
| target whether it is there or you should just | | | | with 80% of the full strength. When in doubt, use |
| imagine there is a target. Besides on downswing, | | | | more clubs. Point your chin at a spot just behind |
| arms should be led by your chest to create the | | | | the ball throughout the swing. For correct feel for |
| needed pulling action. Just like the beginning the | | | | swing, practice with right foot drawn back and |
| whole movement is like throwing a frisbee with | | | | flared to the right. Swing path controls the |
| your left arm giving the power. With all the | | | | direction of ball flight. An open or closed face |
| mentioned done you should also have your hips | | | | controls fades or draws. Accelerate through shot. |
| forget on downswing. Your consciousness | | | | Make sure left shoulder and arm are in the same |
| forearm rotation or wrist-flipping should give way | | | | position at impact as they are at address. |
| to the leveling rotation of chest squares clubface. | | | | |